Rocco DeLuca uses a delicate falsetto, resonator guitar, and incisive, questioning lyrics to deliver his second album, Mercy. Rocco also had the help of five-time Grammy-winning producer Daniel Lanois (U2, Bob Dylan, Peter Gabriel) to draw upon.

Mercy covers vast emotional terrain, from the Melancholy "Junky Valentine," to the explosive "Save Yourself". The title track "Mercy", is an ambient, piano driven masterpiece featuring a guest performance by UK trio Keane. These twists and turns build, layer upon layer, with haunted intricacy.

DeLuca and Lanois formed their bond after the producer caught a last minute performance at L.A. club Spaceland in late 2007. Following their endless touring, he and drummer Ryan Carman jumped at the chance to blow off steam, and fill an open slot on a hometown bill. "I had my dobro, and Ryan brought a little kick drum, and we played all the material that I'd been writing over the last few months." Lanois - who, unbeknownst to DeLuca, had been listening intently from the front row - beckoned him over to the back bar, and suggested they work together. "I was deeply honored." DeLuca, praised by Rolling Stone for displaying "echoes of Neil Young, Robert Plant, Jeff Buckley and Pearl Jam" early in his career; Instantly recognizable singing; a distinctive instrumental style; and an original songwriting voice. Filter magazine live review wrote, "Walking a fine line between American revival and commercial success... You'd be hard pressed to find any other one-time VH1 staple taking stage only adorned with Dobro guitar and glass slide in hand...it wasn't until midway through the take that the crowd remembered they were at a rock show; and that one man could provide such extremities in the most intimate of settings." DeLuca was influenced by the likes of Son House, Pink Floyd and singers including Billy Holliday and Mahalia Jackson. "I went into this record with a clear idea," he insists. He'd had three years of non-stop touring in support of his acclaimed debut, I Trust You To Kill Me, to refine his vision for his second record. "Lyrically, philosophically, and musically, I'm essentially the same person I was when I was thirteen years old," he admits. "I still get excited and inspired by sounds, language, and people, but learning how to articulate them was something I had to work on." "For the first time, I've come to realize the music in my head."

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